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Quentin Dupieux
77 minute
Comedy
creator - Quentin Dupieux
Release year - 2019
user Rating - 7,3 / 10 Stars
Deri Ceket download free game. Haz click aquí para copiar la URL Plugin no soportado Título original Le Daim aka AKA Deerskin Año 2019 Duración 77 min. País Francia Dirección Quentin Dupieux Guion Fotografía Reparto Jean Dujardin, Adèle Haenel, Albert Delpy, Coralie Russier, Laurent Nicolas, Pierre Gommé, Panayotis Pascot, Franck Lebreton, Stéphane Jobert, Marie Bunel, Youssef Hajdi, Maryne Cayon, Thomas Blanchard, Maxim Driesen, Rio Vega, David Sztanke, Julia Faure, Géraldine Schitter, Caroline Piette Productora Atelier de Production / Nexus Factory / Umedia / uFund / Garidi Films / arte France Cinéma Género Thriller. Drama, Comedia negra Sinopsis En un pueblo de los Alpes franceses, la obsesión de un hombre recién divorciado con una chaqueta de ante le lleva a gastarse todos sus ahorros, además de fingir ser cineasta, e incluso hacer alguna cosa mucho peor. FILMAFFINITY) Críticas Mostrar 4 críticas más Tu crítica Votaciones de almas gemelas Regístrate y podrás acceder a recomendaciones personalizadas según tus gustos de cine Votaciones de tus amigos Regístrate y podrás acceder a todas las votaciones de tus amigos, familiares, etc. Si alguna sinopsis cuenta demasiados detalles del argumento -o para corregir errores o completar datos de la ficha o fecha de estreno- puedes mandarnos un mensaje. Si no estás registrad@ puedes contactarnos vía Twitter, FB o por email a info -arroba- filmaffinity -punto- com. Los derechos de propiedad intelectual de las críticas corresponden a los correspondientes críticos y/o medios de comunicación de los que han sido extraídos. Filmaffinity no tiene relación alguna con el productor, productora o el director de la película. El copyright del poster, carátula, fotogramas, fotografías e imágenes de cada DVD, VOD, Blu-ray, tráiler y banda sonora original (BSO) pertenecen a las correspondientes productoras y/o distribuidoras.
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The latest oddball concoction from French iconoclast Quentin Dupieux stars Jean Dujardin as a man who falls in love with his jacket. After making, among others, a movie about a tire with a killer instinct and a film about telepathy between humans and animals — Rubber (2010) and Wrong (2012) respectively — why not also tell a story about a guy who falls head-over-heels in love with his fringed suede jacket? Its all in a days work for French oddball musician and occasional director Quentin Dupieux, who opened the Cannes Directors Fortnight this year with his slight but quite amusing Deerskin (Le Daim. The Artist star Jean Dujardin plays a clueless wannabe filmmaker wholl go to great lengths to become the sole person on the planet — or at least the mountain village where hes checked into a creepy hotel — to actually wear a coat. And it is Dujardins presence thatll ensure a greater measure of visibility than usual for a Dupieux project. But despite a few good gags and committed performances, the nagging suspicion that this eccentric concept wouldve worked better as a medium-length work or even a short remains. Itll be released in France on June 19. The film, in the washed-out colors familiar from Dupieux previous work, opens with a strange scene that sees three youths line up and, one after the other, dump their jackets into the trunk of a beat-up old Audi while they solemnly proclaim: “I swear to never wear a jacket again for as long as I live. ” This later turns out to be part of a film-within-a-film thats being shot, with a tiny camcorder and zero cinema experience, by Georges (Dujardin) a deadbeat dumped by his wife. Perhaps as a way to deal with his misfortune, he has driven to a small village in the Alps to buy a 9, 000 jacket made of the titular material from an elderly slob (Julie Delpys actor father Albert, in a cameo. Never mind that its kinda small on his burly frame: George feels like, well, nine thousand bucks. As a bonus, the old man gives Georges an old camcorder, which becomes the prop that informs the lie that hes actually in town to make a film (hes supposedly alone because his fancy producers are in Siberia for an elaborate fight scene. This duly impresses the local bartender, Denise (Adele Haenel, from BPM) an amateur editor and full-time gamine who becomes involved in Georges completely improvised plan to make a mockumentary. The subject is a ruthless man much like him, who will do anything to become the sole person in the world allowed to wear the only jacket left in existence, so his prized new possession can finally truly shine; the coat is a supposed metaphor for the hard shell we all need to shield ourselves from the harsh outside world. Dupieux, who, as usual, also wrote the screenplay and handled camera duties, has lost none of his sense of mischief. There are a few very amusing moments, including a nightly encounter with a woman who incorrectly guesses the type of film Georges is shooting and another scene in which the sad-sack protagonist tries to get his wedding ring off the corpse of a hotel clerk who committed suicide by shooting himself in the face. Denises deadpan explanation of her experience with the scrambled chronology of Pulp Fiction is also worth a laugh while Deerskin s ending is brilliantly futile, which feels entirely fitting for such an absurd story, even if narrative momentum is abruptly cut short. But the actual plot is, of course, wafer-thin and the whole thing would fall apart if it werent for the committed performance from Dujardin. The actor, in a graying beard and with unkempt hair, has played this kind of crazy and opportunistic loser before, most recently in last years I Feel Good but also going back all the way to his creation of Brice de Nice, which turned him into a movie star. Here, too, his Georges feels fully inhabited even though we only get a tiny sliver of backstory. When he starts speaking to his suede jacket on a clothes stand and then impersonates the jackets voice so the two can have a dialogue, it feels just like something a desperate, lonely and self-satisfied man like Georges would do. Denise and all other parts are really supporting players who are witnesses to — and occasionally unwitting participants in — Georges private madness. In terms of its world building, Dupieux and the production and costume designers have made a serious effort to ground things in a more recognizable reality than in most of the directors previous outings. But the filmmakers tendency to only use violence for laughs and ignore its real-life consequences undermines this attempt to inject some gravitas into Deerskin s otherwise lovingly detailed backdrop. Somewhat oddly, the musician and director didn't provide a score himself this time around, instead fully relying on pre-existing music. Production companies: Atelier de production, Arte France Cinema, Nexus Factory, Umedia, Garidi Films Cast: Jean Dujardin, Adele Haenel, Albert Delpy, Pierre Gomme, Laurent Nicolas, Coralie Russier Writer-Director: Quentin Dupieux Executive producers: Thomas Verhaeghe, Mathieu Verhaeghe Director of photography: Quentin Dupieux Production designer: Joan Le Boru Costume designer: Isabelle Pannetier Editor: Quentin Dupieux Sales: WT Films Venue: Cannes Film Festival (Directors Fortnight — Opening Film) In French No rating, 75 minutes.
Critics Consensus Led by a daring performance from Jean Dujardin, Deerskin finds writer-director Quentin Dupieux working in a more accessible. yet still distinctive. vein. 88% TOMATOMETER Total Count: 40 80% Audience Score User Ratings: 15 Deerskin Ratings & Reviews Explanation Deerskin Photos Movie Info In this black comedy of middle-aged masculinity gone awry, Academy Award winner Jean Dujardin (The Artist) is a recent divorcee who becomes obsessed with a vintage fringed deerskin jacket that begins to exert an uncanny hold on him. Set in a sleepy French alpine village, he falls into the guise of an independent filmmaker and befriends a trusting bartender and aspiring editor (Adèle Haenel, Portrait of a Lady on Fire) who becomes his collaborator on a movie that will document a surprising new goal he sets himself. Rating: NR Genre: Directed By: Written By: In Theaters: Mar 20, 2020 limited Runtime: 77 minutes Studio: Greenwich Entertainment Cast Critic Reviews for Deerskin Audience Reviews for Deerskin There are no featured reviews for Deerskin because the movie has not released yet (Mar 20, 2020. See Movies in Theaters Deerskin Quotes Movie & TV guides.
Georges quitte sa banlieue pavillonnaire et plaque tout du jour au lendemain pour sacheter le blouson 100% daim de ses rêves. Un achat qui lui coûte toutes ses économies et vire à lobsession. Cette relation de possessivité et de jalousie finira par plonger Georges dans un délire criminel. Ce film n'est pas disponible pour le moment sur MUBI mais 30 autres merveilles le sont. Jetez un œil à notre programmation À l'affiche However hackneyed or self-consciously quirky this premise may sound, Deerskin sets about disarming the spectator from very early on, so that all the movies idiosyncrasies appear organic. To be sure, Deerskin may not be as narratively intricate and labyrinthine as previous offerings from the electronic musician-cum-DJ-cum-director. But it remains a zany comedy imbued with the same unbridled and hallucinatory spirit of the man who once wrote and directed a comedy about a killer sentient tire, and now helmed and penned another one with a deerskin jacket and its deranged owner as protagonists. Leonardo Goi May 16, 2019 Dupieuxs risk-taking pales in comparison to Georges own DIY effort, suggesting that the better film in this project is the one buried in the diegesis. Blake Williams May 15, 2019.
7 /10 A comedy as absurd as endearing This film describes a fetishistic relationship between George (interpreted by Jean Dujardin) and his suede jacket, bought 7000 euros after surreptitiously emptied the bank account he shares with his wife. The relationship he creates with this personified jacket will switch following two almost-concomitant events: the jacket will communicate to George its (his. wish and Georges will meet Denise (interpreted by Adèle Haenel. Although this film is devoid of rationality, some will see a profound message such as metaphor, allegory, symbolism. Whatever, one thing is certain: Jean Dujardin and Adèle Haenel play excellently and the atmosphere created by Quentin Dupieux is deliberately both unhealthy and funny. Finally, even if the beginning of the film is confusing or disturbing (the whole film somehow, but you'll gradually get used to it) once the atmosphere is in place, you'll await the denouement with impatience. 25 out of 30 found this helpful. Was this review helpful? Sign in to vote. Permalink 8 /10 MAMI MFF Review: Le daim (8 Stars) In a role that was made for Jean Dujardin, he acts like he has been doing this for a long time. By 'this' I mean executing an eccentric project that is about to take over his life and muddle his relationship with the world. And by 'the world' I mean the sorry village that his Georges character travels to after buying a vintage jacket made of 100% deerskin which also marks his obsession with it, something that both induces laughter in its audience and also highlights the crazy, primal nature of obsessive compulsion characterized by depression, loneliness, and unconditional enmity against the humankind. I have no words to describe the virulent turn Le daim (Deerskin) takes as Georges laughingly has his way by conspiring with himself to take forward his obsession with his deerskin jacket, which I should add is 'killer style' in his own words. Whether it is the inflated price that he pays for the second-hand jacket or the newfound skill of videography or mistaking a film editor with a creditor, Le daim has been written in a way that is guaranteed to make you laugh every five minutes. The outlandish plot, accentuated by terrific performances by Dujardin and Adele Haenel (who acts with her face and that's enough) and also by the peculiar style of referral writing (where the aftermath of an event in a scene is shown in the following one or the one after that) by director-writer Quentin Dupieux makes this comedy crime drama a blast experience. I can't recommend it more and I am definitely going to be watching more of Dupieux's work. Bravo! TN. (Watched and reviewed at its India premiere at the 21st MAMI Mumbai Film Festival. ) 7 out of 9 found this helpful. 2 /10 you love it or you absolutely hate it. A man is obsessed with owning a late 60s-70s style deerskin jacket. So, he spends about 10, 000 to buy one (when it should be free or next to it since no one today wants one) and then spends the rest of the film making up lies as he stays in a small French town. I was excited to see this film when I attended the Philadelphia Film Festival. After all, I have really enjoyed the other films I've seen starring Jean Dujardin. However, after seeing it, I was left very, very cold. The reason is like some other French films, such as "Buffet Froid" it's an example of Absurdism. Absurdism is really NOT just putting bizarre and often disconnected events into a film and provoking a reaction in the audience. I honestly could tell that some folks in the audience LOVED they were laughing at when it wasn't funny in the least. And, for me, the experiment simply got tiresome after about five minutes. Overall, a joyless, unfunny and dull that some love but the average viewer will be left thinking "What the. did I just watch. 18 out of 31 found this helpful. 5 /10 A flop... By far, his weakest effort to date. I love. his previous movies. Reality" is one of my all time faves, with 10/10 rating, and others are strong 9/10, but this fell flat on me. I did't laugh once. A major letdown for me 10 out of 17 found this helpful. 10 /10 Oh deer, you made me laugh New movie with Jean Dujardin is not for everyone. Let me explain: in modern world where comedy genre is near death some thing starting to mix up. This picture is mix of comedy, thriller with a little bit of suspense. Scene is great, autumn is filmed perfectly, Jean Dujardin looks exactly how he need to be. Soundtrack is pretty good. This story could be a nice tv series like Fargo, but director had other plans. So, if you are good with not ordinary scenario and got a dark sense of humor - this movie is exactly what you need. Plus, you will be waiting for an ending with so much interest like never before. This is new moral step in comedy genre, like maybe "The Naked Gun" or "Futurama" once was. 11 out of 20 found this helpful. 9 /10 One of the best of 2019 This picture must be a Tv-series! Perfect trailer first of all. Jean Dujardin is great in the role of narcissistic man who got hit by life. Scenario is so perfect, it's clearly neutral at the beginning. First I was thinking - it's a drama, not comedy. But then all around started to be so exciting. You can't imagine this mix of clever narcissistic man starting to be a little bit crazy. But it shown you with a serious face, and this makes it even funnier. Quentin Dupieux made a great picture, very interesting and 70% of time fun to watch. 8 out of 14 found this helpful. Absurd? Sure. Funny? No. Warning: Spoilers A middle aged man pays a fortune for a 60s deerskin jacket. Then, broke, he meets a waitress who is a wannabe film editor. Then. erm. steals other jackets from kids, posing as a film director using an obsolete camcorder. Then at 39 into the barely 73 minutes film's length I stopped watching. 9 out of 17 found this helpful. 1 /10 C'mon Can't remember last time that I saw a movie so stupid. 10 out of 21 found this helpful. DEERSKIN refines the lonesome, narcissistic personal crisis with conceivable elation and bemusement, even the violence is drenched in utter absurdity and sheer nonchalance "French absurdist Quentin Dupieux, also known as Mr. Oizo in the music sphere, emerging with his mega-single FLAT BEAT circa the millennium, he is a computer wiz adept in sampling an aleatory style of electronic beats and strains. Starting from directing music videos, his sideline diet of filmmaking has a consistent output since NONFILM (2002) with sui generis quirks like RUBBER (2010) and WRONG (2012) DEERSKIN is his eighth feature, debuted in the Directors' Fornight at Cannes, it is by far his most hyped one, not least by the headliners of Jean Dujardin and Adèle Haenel. read my full review on my blog: cinema omnivore, thanks 0 out of 0 found this helpful. Seems like a quirky idea that was extended into a movie. without any real character development, motivations or purpose. The entire premise of a guys obsession for a jacket feels extremely forced. Watching, I always felt conscious of the scriptwriting process. All plot turns felt very forced. It honestly seemed like Quentin had taken a random bizarre idea, and tried to brainstorm ways to make it work across genres, in an arthouse package. Its an offbeat mixed genre cocktail that seems to suffer from an identity crisis. Comedy, Horror, drama, arthouse - but in trying to cross all genres just fails to have anything compelling about it. Not funny, clever, deep or exciting in anyway unfortunately. Dupieux has a strong visual style, the cinematography is well done. and Dujardin is excellent at whatever he touches, but he shouldn't have touched this script. The whole movie really missed the mark for me. I give it 5/10 because on paper it has everything I like. a strong visual style, quirky premise and fantastic lead man in Jean Dujardin. but unfortunately putting all the elements together was the most disappointing flaw for me. I feel that watching "bad" movies can often be the most educational in evolving as a filmmaker and I look forward to see what Dupieux learns from his mistakes in this below average film. 1 out of 4 found this helpful. Permalink.
Olivier le Daim (born Olivier de Neckere; c. 1428 – May 21, 1484) was a French favourite courtier and close advisor of Louis XI of France. Life [ edit] He was born of humble parentage at Tielt in Flanders. His original surname was "de Neckere" that in Flemish mean "evil spirit" giving him the nickname of "Olivier le Mauvais. Olivier the Wicked. Seeking his fortune at Paris, he became court barber and valet to Louis XI, and so ingratiated himself with the king that in 1474 he was ennobled under the title Le Daim and in 1477 made comte de Meulant. In the latter year he was sent to Burgundy to influence Mary of Burgundy, the young heiress of Charles the Bold, but he was ridiculed and compelled to leave Ghent. He thereupon seized and held Tournai for the French. Le Daim had considerable talent for intrigue, and, according to his enemies, could always be depended upon to execute the baser designs of the king. He amassed a large fortune, largely by oppression and violence, and was named gentleman-in-waiting, captain of Loches, and governor of Saint-Quentin. He remained in favour until the death of Louis XI, when the rebellious lords were able to avenge the slights and insults they had suffered in the hands of the royal barber. He was arrested on charges, the nature of which is uncertain, tried before the parlement of Paris, and on May 21, 1484, hanged at the Gallows of Montfaucon without the knowledge of Charles VIII, who might have heeded his father's request and spared the favourite. Le Daim's property was given to the Duke of Orléans. Memoirs of his contemporaries include: Philippe de Commines (ed. Mandrot, 1901–1903, Eng. trans. in Bohn Library) Robert Gaguin, Compendium de origine et gestis Francorum (Paris, 1586) it was Gaguin who made the celebrated epigram concerning Le Daim: Eras judex, lictor, et exitium. " De Reiffenberg, Olivier le Dain (Brussels, 1829) Delanone, Le Barbier de Louis XI. (Paris, 1832) G. Picot, Procés d'Olivier le Dain" in the Comptes rendus de l'Académie des sciences morales et politiques, viii. (1877) 485-537 The memoirs of the time are uniformly hostile to Le Daim. Le Daim plays a major role in chapter five of Victor Hugo 's novel The Hunchback of Notre Dame, being described as "that terrible Figaro whom Providence, the great maker of dramas, mingled so artistically in the long and bloody comedy of the reign of Louis XI. " References [ edit] This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911. Le Daim, Olivier. Encyclopædia Britannica. 16 (11th ed. Cambridge University Press.
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Deri Ceket download free mp3. Deri ceket download free download. Deri Ceket download free wallpaper. Titre Original: Genre: Qualité: Sous-Titres: Année: Origine: Directeur: Quentin Dupieux Acteurs: Jean Dujardin, Adèle Haenel, Albert Delpy, Coralie Russier Durée: 77 min Regarder Le Daim en Streaming HD Gratuit Synopsis: Le Daim Georges, 44 ans, et son blouson, 100% daim, ont un projet. Deri ceket download free game. Le daim - Le daim (2019. Film. Jean Dujardin admires his new jacket in Quentin Dupieuxs Le Daim (Deerskin. When a French movie is described as a “comedy” and has a July release date in Paris, it almost invariably means that (1) its a generic film about a chaotic summer holiday with families/groups of mature male friends/bands of teens behaving disgracefully, and (2) its not remotely funny. Accordingly, I went to see the new comedy Le Daim (Deerskin) in a state of trepidation, relieved to know that even if it was a hellish experience, the torture would only last for one hour and 17 minutes. Le Daim, directed by Quentin Dupieux and starring Jean Dujardin (of The Artist fame) turns out to be something altogether different than the usual mediocre summer fare. It is infinitely stranger, more anguished and funnier, and is – dare I say it? – a masterpiece. The central character, Georges (Dujardin at the top of his game) arrives on screen with almost no backstory: all we learn about him is that he has left his wife and job and is driving to the Pyrenees. On the way, he stuffs his corduroy jacket down the toilet of a service-station washroom and buys an ill-fitting fringed deerskin jacket for an outrageously high price, then checks into a small-town hotel. The man who sold him the jacket had also given him a free digital camcorder, which allows him to pose as a filmmaker in the town. The new jacket would seem to symbolize Georgess desire to start his life anew, but it immediately takes on a bizarre importance and personality of its own. Georges starts filming it with his camera and even gives the jacket its own voice. We quickly realize that Georges is a man in the grip of a severe mental breakdown, and, even more worryingly, is a psychopath in the making. His one abiding fixation becomes the elimination, at all costs, of every other jacket in the world. With the help of Denise (Adèle Haenel) a bartender whose dream is to become a movie editor, he starts filming members of the local community (who think they are starring in his film) as they throw away their own jackets at his behest. Spoiler alert: skip this paragraph if you prefer not to know certain plot details. Dupieux manages to portray the townspeople as both utterly ordinary and deeply weird. As Georges accumulates more deerskin items (hat, trousers, gloves) and starts murdering anyone wearing a jacket, the body count increases. Each death seems to remain undiscovered and uninvestigated as he continues his killing spree. Plausibility has no place in this cinema of the absurd. Apart from everything relating to his coat, Georges also films the wild deer in the area. Dupieux is clearly fascinated by the relation between animal and commodity and by the disconnect between material objects and the living creatures from which they are made. The movie is also a meditation upon the filmmaking process: the directors obsessions and the ambitions of those who will do anything to work or act in films. It cannot be a coincidence that Dujardin, who has gained a few extra pounds and a beard for the role, looks disconcertingly like the director himself. After such an extraordinary movie, it is difficult to look at the ordinary world in the same way. When my friend and I left the cinema, the streets and the people of Paris seemed a whole lot more peculiar than they had an hour and 17 minutes earlier.
Ça va? Asking after others If youre catching up with a French-speaking friend, old or new, youll probably want to ask them how they are, and vice versa. Here are a few suggestions to try! February 13, 2020 Read more. You are here: Home » 2019 » Le Daim 52nd edition from May 13 to 23, 2020 Fortnight 2019, Feature film, 1h17 World premiere Synopsis Georges, 44 years old, and his jacket, 100% deerskin, have a plan. Director Quentin Dupieux Quentin Dupieux is a self-taught filmmaker/musician born in 1974. He made short films as a teen and sold one of them to Canal+ when he was 19. Simultaneously, Quentin Dupieux started making electronic music under the pseudonym Mr. Oizo. He released his first album in 1996. In 1999, he directed a series of commercials with Flat Eric, a yellow puppet. He sold more than 3 million copies of Flat Beat, the music that he created for that ad campaign. In 2007, Quentin Dupieux wrote and directed his first feature-length film, Steak. Will follow Rubber, Wrong, Wrong Cops, Reality and Keep an Eye Out. He regularly releases electronic music albums. Deerskin is his seventh feature film. Casting Team Production Screen shots Adèle Haenel Albert Delpy Coralie Russier Jean Dujardin Laurent Nicolas Pierre Gommé screenplay photography sound Guillaume Le Braz, Alexis Place, Gadou Naudin, Cyril Holtz production design Joan Le Boru editing production Atelier de production 41 rue Saint Augustin 75002 Paris – France T: 33 1 88 32 08 66 coproduction Arte France Cinéma (France) Nexus Factory (Belgique) Umedia (Belgique) Garidi Films (Suisse) foreign sales WTFilms 20 rue Bachaumont T: 33 1 42 61 09 83 distribution Diaphana Distribution 155 rue du Faubourg Saint-Antoine 75011 Paris – France T: 33 1 53 46 66 66 publicist France Monica Donati T: 33 1 43 07 75 22 Internationale Ryan Werner Cinetic Media T: 1 212 204 79 51 Jill Rosen T: 1 917 326 0145 Title in Original Version: Deerskin Release date: 19 June 2019 Cannes projection May 15 8h45 Théâtre Croisette 19h30 22h00 May 16 14h00 Cinéma Le Raimu 19h Studio 13 May 17 Cinéma Alexandre III May 24 Press release Quentin Dupieux signe son film le plus réussi, une fantaisie horrifique totalement cintrée. Le Monde Il est dément. En Georges, le psychopathe du film de Quentin Dupieux, Jean Dujardin déchire lécran. Libération (…) a hilarious Dujardin performance and the filmmakers inspired fashion conceit yield an enjoyable diversion from a filmmaker with nothing to prove. IndieWire Comédie horrifique et réjouissante de Quentin Dupieux. Marianne Un film étonnant, porté par Jean Dujardin. Les Inrocks La nouvelle comédie horrifique de Quentin Dupieux. Trois couleurs LE DAIM va de surprise en surprise, de réplique lapidaire en dialogue corsé. Cinema Teaser De retour avec un film fou. Konbini Un conte dune folie extraordinaire. LHumanité son Daim fait sensation. Maze Avec # LeDaim, Quentin Dupieux filme lubuesque avec une rigueur exemplaire et un vrai sens du cinéma. Mehdi Omaïs sur Twitter Une descente aux enfers de la mégalomanie traitée avec lhumour décalé et absurde de Quentin Dupieux. Télérama.
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