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Actor: Emily Armstrong Description: Break On Thru: A Celebration of Ray Manzarek and The Doors is a concert documentary from a 2016 all-star performance in Los Angeles that John Densmore and Robby Krieger, the two surviving members of The Doors, developed to celebrate what would have been Manzarek's 70th birthday. As well as the all star concert there's never before seen footage from The Doors archives and new Interviews from Densmore and Krieger. It's a one of a kind documentary about a very special person and a legendary rock band Country: USA 
Break on Thru: A Celebration of Ray Manzarek and The Doors Download movie page. Wednesday, February 12, 2020 THE DOORS: BREAK ON THRU – A CELEBRATION OF RAY MANZAREK Break On Thru is a hybrid concert and documentary capturing a 2016 performance in Los Angeles, CA by surviving Doors members John Densmore and Robby Krieger to honor fellow Doors member Ray Manzarek on what would have been his birthday on February 12 th. The Doors were born when Ray Manzarek met Jim Morrison on Venice Beach in 1965. Ray became the beating heart of The Doors and the architect of their intoxicating keyboard sound. Manzareks evocative playing fused rock, jazz, blues, bossa nova and an array of other styles into something utterly, dazzlingly new. The setlist from the concert consists of Doors songs performed by John and Robby alongside a cast of all-star guest musicians including Taylor Hawkins and Rami Jaffe (Foo Fighters) Robert DeLeo (Stone Temple Pilots) Stephen Perkins (Janes Addiction) Exene and John Doe (X) Warren Haynes (Govt Mule) Brian Ray (Paul McCartney) Andrew Watt and more. The film also includes rare archival footage of the band, conversations with Jim Morrison and Ray Manzarek, and esteemed music journalist Ben Fong-Torres, as well as new interviews with John and Robby. Not Rated. 103 minutes. Wednesday, February 12 at 7pm All Tickets: 12 IMPORTANT NOTE: The Doors: Break on Thru – A Celebration of Ray Manzarek contains a sequence of flashing lights which might affect customers who are susceptible to photosensitive epilepsy. Personal Responsibility Statement: Proctors prides itself on offering a diverse selection of arts entertainment. Not all productions may appeal to or be appropriate for every person or for all ages. Patrons are encouraged to familiarize themselves with the shows we offer in order to make informed decisions prior to purchasing tickets. FREE PARKING in the Broadway parking garage is provided by Upstate Ford Dealers. WE ARE IN YOUR AREA.
RIP RAY YOU WERE MY KEYBOARD IDOL. We use cookies to help make this website better, to improve our services and for advertising purposes. You can learn more about our use of cookies and how to change your browser settings by reading our PRIVACY AND COOKIES POLICY here. Otherwise, well assume you are OK to continue. Edit Storyline Break On Thru: A Celebration of Ray Manzarek and The Doors is a concert documentary from a 2016 all-star performance in Los Angeles that John Densmore and Robby Krieger, the two surviving members of The Doors, developed to celebrate what would have been Manzarek's 70th birthday. As well as the all star concert there's never before seen footage from The Doors archives and new Interviews from Densmore and Krieger. It's a one of a kind documentary about a very special person and a legendary rock band. Written by The Doors Music Company Plot Summary, Add Synopsis Details Release Date: 28 April 2018 (USA) See more » Also Known As: The Doors: Break On Thru - A Celebration Of Ray Manzarek Company Credits Technical Specs See full technical specs ».
Gonna dose on some good LSD tonight and listen to my favorite band The Doors. The rain part is so freaking beautiful. Lot of respect for Daryl Hall. You'll notice,That Robbie does not use a was trained as a classical Flaminco gutarist.I always thought Robbie was way under-rated as a lead guitarist. Ray Manzarek was Jim Morrison's first fan. The best band I ever heard.
I could listen to Ray tell stories about the Doors all day.
The Doors began when Ray Manzarek met Jim Morrison on Venice Beach in Los Angeles in 1965. Jim Morrison died after the sixth album ‘LA Woman on 3 July, 1971. Ray Manzarek passed away on 20 May, 2013. In 2016 the surviving members of The Doors Robby Krieger and John Densmore paid tribute to Ray and honoured Jim in what is now the film ‘The Doors: Break on Thru – A Celebration of Ray Manzarek screening worldwide on 12 February 2020. The film captures the concert with additional interview footage from Robby and John. The film also has additional footage from historic interviews by Ben Fong-Torres with Jim and Ray. Robby Krieger spoke with Noise11s Paul Cashmere ahead of the movie release. Paul Cashmere: Ray Manzarek left us in 2013. You performed the ‘Break On Thru: A Celebration of Ray Manzarek in 2016 and now in 2020, we get to see the documentary about the event. Robby Krieger: We only had two or three weeks to prepare. We wanted to do something on Rays birthday. I tried to get it going and it never got going. His next birthday came around. By the third birthday, we had to do something. It was already January and I said ‘lets just do something. They wanted to do the Hollywood Bowl and get Bono and all these people. I just said ‘Ill do it myself and get whoever I can. I didnt want Rays birthday to pass again without doing something. John (Densmore) agreed so we made a quick ditch effort to get whoever was around and luckily we got a good line-up of people who were interested. Paul Cashmere: Why did you do the show at The Forum in LA and not the Whiskey A Go Go where The Doors used to play? Robby Krieger: The Whiskey wasnt big enough. It only holds 200-300 people. Paul Cashmere: Theres a line in the movie about hearing ‘Alabama Song for the first time “our keyboard player is as nuts as our singer”. Robby Krieger: “Ray had a lot of records before we even started The Doors. Wed listen to all these crazy records he had. He had this one from a German Kurt Weill with Lotte Lenya. They did ‘Mack The Knife and ‘The Whiskey Bar on it. Wed never heard it. I bet not many people in Australia would have heard that version. Not many people realize where we got that from. We just loved that song and listened to it over and over. At first we didnt think about doing it but after listening to it a bunch of times we thought ‘yeah we could do that. Thats how it happens. Paul Cashmere: tell me about the first time you heard the words “day destroys the night, night divides the day”. Robby Krieger: “Jim just had this way of coming up with lyrics that no-one else was even thinking. That was one of the early ones that he wrote. It became our first single. It was a little esoteric to catch on. It got to no 40 on Billboard which wasnt bad for a new band. We knew ‘Light My Fire was the single but it was too long to get on the radio. They finally cut it down to three minutes. In those days AM radio was where it was at. You had to get on AM radio or you would not have a hit record. Paul Cashmere: What did you think of Jose Felicianos version of ‘Light My Fire? Robby Krieger: I hated it the first time I heard it. I said ‘what the hell did you do to our song, my song actually because I wrote that one. The more I listened to it I started to like it, especially the guitar playing on it. Once he did it, it seemed like everyone was doing it. Jazz artists like Buddy Rich and Woody Herman band. A lot of people youd think would never do a rock song and the reason they did it was because of his version. It was different to out version. He didnt have the famous Bach intro at all. He did it more, instead of rock, M. O. R. style. More commercial. Because of him a lot of people started doing it. I dont think they ever would if he hadnt. It turned out to become one of our most covered songs. Paul Cashmere: And you include a piece from The Sound of Music ‘My Favourite Things when you do it live now. Robby: Yeah (laughs. We love Coltrane and I still play that piece of ‘My Favourite Things today with my band. I have a jazz group. When we did our instrumental part in the middle of ‘Light My Fire, which started off to be just the short four bars solo thing. When we played it every night it became longer and longer. Finally, we each did a three minute solo in the middle of a rock and roll song. It was pretty unheard of in those days. It was the same chords that Coltrane used in ‘My Favourite Things. Thats why I would stick it into the middle of ‘Light My Fire. Paul Cashmere: In the Oliver Stone ‘The Doors movie all those years ago, and in this movie, we learn about Jim experiencing an accident on a highway as a kid and the souls of the Indians going into him. Did Jim really believe that? Robby Krieger: Yeah, he definitely believed that. Whether it really happened or not, who knows? I dont think he just made it up. Paul Cashmere: Your movie talks about Ray in a spiritual way as well looking down and enjoying your tribute. You talk about “the mystery of the afterlife that he is now exploring”. Ray would be smiling and enjoying it. Robby: I hope so. We had some really cool keyboard players who would do his parts. One guy, Nathan Willmarth who plays with my band now, he was like a Ray clone. He knows every note that Ray ever played and he collected all the keyboards that Ray used to use. We did a video about 20 years ago for a TV show. We had various artists. These guys used Nathans keyboards. Nathan had all of Rays old keyboards. Nathan brought ever one. Nathan became a friend and ended up playing in my band. Paul Cashmere: You say Ray could split his mind into two musicians. The bass player and the keyboard player. In the number of times I interviewed him he would refer to his left hand in the third person as “Leftie”. Robby: Right, yeah. He would split his mind into the bass and the organ. I think that was really part of the basis of our sound. Because he had to play on automatic pilot with his left hand it made the bass very repetitive and not usual. A bass player would never think of playing those lines. They were very keyboard orientated. The one of ‘Light My Fire, when we did that in the studio we had a guy copy that exact line on a real bass. If you listen really closely you can hear two basses in ‘Light My Fire. Paul Cashmere: Do you have to use a bass player to play these songs live these days? Robby: Back in the day we never used a bass player on stage. It was always Ray with that left hand. But in reality, it does sound a lot better with a real bass. Ever since then we have used a real bass. We tried to make sure that the bass player plays exactly what Ray played on his left hand. Paul Cashmere: Is Waylon (Krieger) your son? Robby: Yeah. He has been singing with us the last five years. He does a pretty good job. Paul Cashmere: Thats him on ‘Break On Through in the movie. Robby: Yeah, he was first up. He plays in my band. Another guy I use is Dan Rothchild, the son of Paul Rothchild. He is a great bass player and singer as well. Sometimes when Waylon is unavailable I used Dan. Paul Cashmere: And Bruce Botnick, another familiar name in The Doors story came back to work on the sound for this movie. Robby: Right, right. He sure did. Bruce has been doing all of our reissues for all of these years. Paul Cashmere: I was surprised to learn that The Maharishi was also part of The Doors history as well as The Beatles. Robby: We were the first ones in the United States to follow the Maharishi. My friend Peter Wallace went to India back in the early 60s looking for a Guru. He was very much into the Indian religious thing. We went to India when he was 18-years old. He talked to a lot of different Gurus but liked The Maharishi the best and talked him into coming to LA to start a movement. At that first meeting a Peter Wallaces house, maybe there were 15 people interested in meeting The Maharishi and three of them were in The Doors, Ray, John and I. We met him before The Beatles did. Paul Cashmere: There is a mention in the movie of the time John Densmore sued you and Ray over the use of The Doors name. John says he now regrets what he did. Robby: I regret it too. It was pretty much a waste of time. For some reason John didnt want to play so we got Stewart Copeland (The Police) and Ian Astbury (The Cult. I asked him a couple of times why he didnt want to do it and what was wrong. I guess Ray and John hadnt been seeing eye to eye for quite a few years at that time and John didnt want to do it and he didnt want us to use the name The Doors. But to have a lawsuit about it? That was pretty silly. We had a guy Jak Holzman, the head of Elektra Records. He said, ‘let me be the mediator here. He said hed settle it. But John had to stay in court. Paul Cashmere: What are the future plans for The Doors over the next couple of years? Robby: Thats a good question. There is nothing concrete. We are talking about the possibility of doing something with an orchestra. Ray and I did that a couple of times and it was fun. There is nothing concrete yet. The Doors: Break on Thru – A Celebration of Ray Manzarek will be released in cinemas worldwide on February 12 for one night only. Find your local screening at. Noise11 on Instagram Youll discover music news first following Noise11 on Twitter Comment on the news of the day, join Noise11 on Facebook Comments comments Tagged as: 60s, 70s, Jim Morrison, John Densmore, Ray Manzarek, Robby Krieger, rock USA, The Doors, Trafalgar.
Break on Thru: A Celebration of Ray Manzarek and The Doors Download movie.
My mind has been blown away.
Two Amazing legends on stage once again. 
Break on Thru: A Celebration of Ray Manzarek and The Doors Download movie database
Thanks to all who enjoyed the video I cobbled together from many sources. Here is 'part duex' mostly new film shot inside, a few familiar shots to help move the story. If you liked the first one, I think you'll dig it! Peace & Love. oh, get your kicks in before this whole shit house goes up... Critics Consensus No consensus yet. Tomatometer Not Yet Available TOMATOMETER Total Count: N/A Coming soon Release date: Feb 12, 2020 Audience Score Ratings: Not yet available The Doors: Break On Thru - A Celebration of Ray Manzarek Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Movie Info THE DOORS: BREAK ON THRU - A CELEBRATION OF RAY MANZAREK is a hybrid concert and documentary capturing a 2016 performance in Los Angeles, CA by surviving Doors members John Densmore and Robby Krieger to honor fellow Doors member Ray Manzarek on what would have been his birthday on February 12th. The Doors were born when Ray Manzarek met Jim Morrison on Venice Beach in 1965. Ray became the beating heart of The Doors and the architect of their intoxicating keyboard sound. Manzarek's evocative playing fused rock, jazz, blues, bossa nova and an array of other styles into something utterly, dazzlingly new. The setlist from the concert consists of Doors songs performed by John and Robby alongside a cast of all-star guest musicians including Taylor Hawkins and Rami Jaffee (Foo Fighters) Robert DeLeo (Stone Temple Pilots) Stephen Perkins (Jane's Addiction) Exene and John Doe (X) Warren Haynes (Gov't Mule) Brian Ray (Paul McCartney) Andrew Watt and more. The film also includes rare archival footage of the band, conversations with Jim Morrison and Ray Manzarek, and esteemed music journalist Ben Fong-Torres, as well as new interviews with John and Robby. Rating: NR Genre: In Theaters: Feb 12, 2020 limited Runtime: 100 minutes Studio: Trafalgar Releasing Cast Critic Reviews for The Doors: Break On Thru - A Celebration of Ray Manzarek Audience Reviews for The Doors: Break On Thru - A Celebration of Ray Manzarek There are no featured reviews for The Doors: Break On Thru - A Celebration of Ray Manzarek because the movie has not released yet (Feb 12, 2020. See Movies in Theaters The Doors: Break On Thru - A Celebration of Ray Manzarek Quotes Movie & TV guides.
Break on Thru: A Celebration of Ray Manzarek and The Doors Download movies. Its because what you cant experience and currently observe is more interesting than what you can. this is of course opinion, but its basicially this: what is more interesting? a glass full of milk, or an empty glass with a list of things that could go into it or things that have been in it. I believe you're hearing the cameraman singing along. Wow, love this dude. This website uses cookies to provide you with a better experience You can adjust your cookie settings through your browser. If you do not adjust your settings, you are consenting to us issuing all cookies to you.
Hope Ray changed the three AA batteries after that set. Envidienme. This is pure MAGIC. and i'm not even a Doors fan. As a teenager, I stuck a picture of Ray Manzarek on my school pencil tin – no other musician could make you feel like you were just one small step from wildness Hello, I love you … Ray Manzarek of the Doors. Photograph: Jan Persson/Redferns I arrived at the music of the Doors, and therefore the genius of Ray Manzarek, in rather circuitous fashion. I was 13, and at that time quite besotted with David Lynch's excellently peculiar TV series Twin Peaks. It stirred in me a passion for twinsets and fir trees, cherry pie and strong coffee, and naturally when I learned that my beloved Agent Cooper (Kyle MacLachlan) would be playing Manzarek in Oliver Stone's biopic of the band, I decided that I absolutely had to see the film. Some weeks later, having failed on numerous occasions to convince the cinema staff that I was old enough to buy a ticket for an 18-certified movie, I conceded defeat and bought the soundtrack instead. People can get a little sniffy about soundtrack compilations, but at that malleable age this proved a strangely influential album for me. It introduced me to the Velvet Underground, who remain one of my favourite bands, and of course it was also my first immersion in the music of the Doors themselves. Reading this on mobile? Watch the Doors performing Light My Fire It was an awakening of sorts – to my young ears this was music that sounded otherworldly and full-grown. Unlike the neat, chirpy pop songs I heard on the radio, it sprawled louchely from the speakers. It wasn't the spreadeagled sound of the Stone Roses exactly, though to my mind then it shared a similar rambling expansiveness. Instead there was an intent to it, something blistering beneath. I would listen to Light My Fire and Riders on the Storm, to The End, Break On Through (To the Other Side) and Love Her Madly, and wonder at this music's ability to transport the listener, at where and how it had begun and where and when it would end. In the months that followed I accumulated a few facts about the Doors – that Jim Morrison met Ray Manzarek at UCLA, that they would run into one another some while later in Venice Beach and form a band, that Manzarek then met drummer John Densmore and guitarist Robby Krieger at a lecture on transcendental meditation. And I liked these stories; they fed this music's delicious sense of otherness. I liked the idea of these songs being spawned on an oceanfront halfway around the world, of cinematography courses and lectures about meditation. I liked the sound of a Vox Continental combo organ. Reading this on mobile? Watch the Doors performing When The Music's Over While I understood the charm of Jim Morrison's snake-hipped crooning, for me the seductiveness of the Doors always lay in the keys: the way they twinkled beneath Riders on the Storm, the constant nag of them in the side of LA Woman, the near-spasm of them at the start of When the Music's Over. There was always something so physical and commanding about their presence. It seemed to me then that the pulse beneath these songs was always Manzarek's playing, that those keys somehow embodied all the storms and strangeness, the fire and love, the other side of these songs. It was the keys that made you feel as if you were always on the cusp of something: the strange outsider trying to set the night on fire, loving madly, riding that storm; it was the keys that made you feel you were occupying that teetering space on the edge of society, the brink of insanity, one step from wildness, from succumbing; that you were hovering somewhere between a threat and a thrill. And so to hear Manzarek play always summoned in me a similar feeling to all those other early adolescent adventures. It was the sound of car rides with boys and warm beer in bus stops. It was a stomach flip, a flutter in the chest, the veins rushed with blood. I felt charged by the danger of it, the glowering lust of this music. Reading this on mobile? Listen to Love Street I remember I had a particular passion for Love Street. Released as a B-side in 1968, it was inspired by the road in Laurel Canyon where Morrison lived with his girlfriend, and where he would sit on their balcony watching the hippies walk by. I liked the sweet surface simplicity of it, the lolloping joy of a house and a garden and a girl and "la la la, la la la la. And then it was the keys that seemed to twist it, to provide an unexpected undercurrent that drew your attention to the robes and monkeys, the lazy diamond-studded flunkies. And so the picture shifted, from easy domesticity to something more psychedelic. And into that open-hearted, wide-world curiosity of "I would like to see what happens" my adolescent mind wandered. On the inside of my school pencil tin I had stuck a picture of Agent Cooper. Now beside him I added another of Ray Manzarek.
They were American Classics & original. Nobody like them before - and nobody like them afterwards. "The Doors: Break On Thru" opens February 12th Photo credit - Henry Diltz Trafalgar Releasing brings the hybrid concert/documentary The Doors: Break on Thru - A Celebration of Ray Manzarek to cinemas worldwide for a one-night only event on Wednesday, February 12th. The film celebrates the extraordinary legacy of the late Ray Manzarek, co-founder and keyboardist of The Doors, on what would have been his 81st birthday. Manzarek died in 2013. Filmed at the Fonda Theatre in Los Angeles, CA, the film, which is a mix of documentary and concert footage, brings the surviving members from The Doors, Robby Krieger and John Densmore, on stage for the first time in 15 years to celebrate the birthday of Manzarek alongside captivating performances from Foo Fighters Taylor Hawkins and Rami Jaffee, Stone Temple Pilots Robert DeLeo, Paul McCartneys Brian Ray, Xs Exene and John Doe, Janes Addictions Stephen Perkins, Govt Mules Warren Haynes and more. The Doors keyboardist and songwriter Ray Manzarek With a set list of Doors classics and compelling behind-the-scenes interviews and footage, the film celebrates the longevity of The Doors, bringing multiple generations together to celebrate this iconic band. Proceeds from the LA concert were donated to Stand Up for Cancer as selected by Ray Manzarek. The concert was a critical success with Rolling Stone saying, “I would not have missed that show for anything. ” The film includes the evenings performances of such Doors classics as Love Me Two Times, Roadhouse Blues, LA Woman, Riders on the Storm and an encore performance of Light My Fire. Truly a rock original, The Doors featured an intoxicating, genre-blending sound, provocative and uncompromising songs, and the mesmerizing power of singer Jim Morrisons poetry and presence, The band had a transformative impact not only on popular music but also on popular culture and was an enormous influence on generations of musicians. Refusing to be mere entertainers, the Los Angeles quartet relentlessly challenged, confronted and inspired their fans, leaping headfirst into the heart of darkness at a time when most bands were caught in psychedelia and peace and love. Lead singer Morrison was a whirling dervish, as Manzarek describes him in the film, tantalizing and terrorizing fans and critics alike. 53 years after their debut album, The Doors music and legacy remain more influential than ever before. The Doors were inducted into the Rock & Roll Hall Of Fame in 1993. The Doors: Break on Thru - A Celebration of Ray Manzarek will be screened in cinemas around the world on February 12, 2020. Tickets are on-sale now at, where fans can also find info on theatres and showtimes.
Robbie is the greatest! I love the tone he has. Very distinctive signature sound. THE DOORS AND TRAFALGAR RELEASING PRESENT THE DOORS: BREAK ON THRU – A CELEBRATION OF RAY MANZAREK IN CINEMAS WORLDWIDE ON FEBRUARY 12, 2020 ALL-STAR HYBRID CONCERT/DOCUMENTARY CELEBRATES THE LATE RAY MANZAREK, LEGENDARY KEYBOARDIST OF THE DOORS, BRINGING TOGETHER SURVIVING DOORS MEMBERS ROBBY KRIEGER & JOHN DENSMORE WITH OTHERS TO CELEBRATE THE LEGACY OF MANZAREK THE ONE-NIGHT THEATRICAL EVENT PREMIERES IN CINEMAS ON FEBRUARY 12, 2020, MANZAREKS BIRTHDAY The Doors and Trafalgar Releasing today announced the upcoming release of The Doors: Break on Thru - A Celebration of Ray Manzarek, coming to cinemas worldwide for a one-night only event on February 12, 2020. The film will bring fans together in theaters to celebrate the extraordinary legacy of the late Ray Manzarek, co-founder and keyboardist of The Doors, on what would have been his birthday. This critically acclaimed, all-star hybrid concert/documentary was filmed at the Fonda Theatre in Los Angeles, CA and brought surviving members from The Doors, Robby Krieger and John Densmore, on stage for the first time in 15 years to celebrate the birthday of Manzarek alongside captivating performances from Foo Fighters Taylor Hawkins and Rami Jaffee, Stone Temple Pilots Robert DeLeo, Paul McCartneys Brian Ray, Xs Exene and John Doe, Janes Addictions Stephen Perkins, Govt Mules Warren Haynes and more. STARRING ROBBY KRIEGER (THE DOORS. JOHN DENSMORE (THE DOORS) TAYLOR HAWKINS (FOO FIGHTERS. RAMI JAFFEE (FOO FIGHTERS) ROBERT DELEO (STONE TEMPLE PILOTS. STEPHEN PERKINS (JANES ADDICTION) JOHN DOE (X. EXENE CERVENKA (X. WARREN HAYNES (GOVT MULE) FEATURING BRIAN RAY (PAUL MCCARTNEY BAND. EMILY ARMSTRONG (DEAD SARA) NASRI (MAGIC. ANDREW WATT * WAYLON KRIEGER * JIM MANCZAREK * PHIL CHEN * NATHAN WILMARTH * PABLO MANZAREK * BEN FONG-TORRES “Alt-Rock Royalty Light Up L. A. Celebration for Ray Manzarek” Rolling Stone “I would not have missed that show for anything” Nirvanas Krist Novoselic With a set list of Doors classics and compelling behind the scenes interviews and footage, this film celebrates the longevity of The Doors, bringing multiple generations together to celebrate this iconic band. Proceeds from the LA concert were donated to Stand Up for Cancer as selected by Ray Manzarek. Participating theaters and tickets can be found at. John Densmore, drummer of The Doors, shared: It was such an honor to play with these world-class musicians in a tribute to our magical keyboard player. " Kymberli Frueh, SVP Programming & Content Acquisitions at Trafalgar Releasing has said on the news: “Break On Thru is a true celebration of Doors co-founder Ray Manzarek and includes a whole host of musicians inspired by him including Taylor Hawkins of the Foo Fighters and Robert DeLeo from Stone Temple Pilots. Trafalgar Releasing are pleased to present the first ever global fan cinema gathering sanctioned by The Doors to celebrate Manzareks incredible legacy. ” 2019 has been strong for music releases from Trafalgar Releasing in cinema. Coming up next is GORILLAZ: REJECT FALSE ICONS. Recent successes have included Depeche Mode: SPIRITS in the Fores t directed by Anton Corbijn, Shakira in Concert: El Dorado World Tour, Metallica and San Francisco Symphony: S&M², which became the biggest ever rock music event in cinemas globally, BRING THE SOUL: THE MOVIE, which became the single largest event cinema release globally, Grateful Deads 9th Annual Meet-Up at the Movies, Tribeca documentary Between Me and My Mind about Phish frontman Trey Anastasio, Roger Waters Us + Them, Slayer: The Repentless Killogy, Rush Cinema Strangiato 2019 and The Cure: Anniversary 1978-2018 Live in Hyde Park London. The London based outfit have previously released films including Coldplay: A Head Full of Dreams, The Music Center presents Joni 75: A Birthday Celebration, Khalid Free Spirit, One More Time with Feeling, among others. The Doors With an intoxicating, genre-blending sound, provocative and uncompromising songs, and the mesmerizing power of singer Jim Morrisons poetry and presence, The Doors had a transformative impact not only on popular music but also on popular culture. The Doors arrival on the rock scene in 1967 marked not only the start of a string of hit singles and albums that would become stone classics, but also of something much bigger – a new and deeper relationship between creators and audience. Refusing to be mere entertainers, the Los Angeles quartet relentlessly challenged, confronted and inspired their fans, leaping headfirst into the heart of darkness while other bands warbled about peace and love. Though theyve had scores of imitators, theres never been another band quite like them. And 50 years after their debut album, The Doors music and legacy are more influential than ever before. The Doors were inducted into the Rock & Roll Hall Of Fame in 1993. The Doors: Break on Thru - A Celebration of Ray Manzarek will be screened in cinemas around the world on February 12, 2020. Tickets are on-sale now at, where fans can find the most up-to-date information regarding participating theaters. LINKS & DETAILS: Global theatrical release date: February 12, 2020 Website: Facebook – Instagram – Twitter –.
Break on Thru: A Celebration of Ray Manzarek and The Doors Download. 
I wish Ray was still here too. Break on Thru: A Celebration of Ray Manzarek and The Doors download movie. The Light My Fire break still sends shivers down my spine after all these years. Always loved Peace Frog. Stpd camarógrafo. Por qué no tomaste sus dedos. ☝🏻🤬.
THE DOORS: BREAK ON THRU – A CELEBRATION OF RAY MANZAREK is a hybrid concert and documentary capturing a 2016 performance in Los Angeles, CA by surviving Doors members John Densmore and Robby Krieger to honor fellow Doors member Ray Manzarek on what would have been his birthday on February 12th. The Doors were born when Ray Manzarek met Jim Morrison on Venice Beach in 1965. Ray became the beating heart of The Doors and the architect of their intoxicating keyboard sound. Manzareks evocative playing fused rock, jazz, blues, bossa nova and an array of other styles into something utterly, dazzlingly new. The setlist from the concert consists of Doors songs performed by John and Robby alongside a cast of all-star guest musicians including Taylor Hawkins and Rami Jaffee (Foo Fighters) Robert DeLeo (Stone Temple Pilots) Stephen Perkins (Janes Addiction) Exene and John Doe (X) Warren Haynes (Govt Mule) Brian Ray (Paul McCartney) Andrew Watt and more. The film also includes rare archival footage of the band, conversations with Jim Morrison and Ray Manzarek, and esteemed music journalist Ben Fong-Torres, as well as new interviews with John and Robby.
Break on Thru: A Celebration of Ray Manzarek and The Doors Download movie page imdb. Break on Thru: A Celebration of Ray Manzarek and The Doors Download movie reviews. Ray's was good story teller. Hearing the Doors as a little kid, it was always the keyboard work that stood out to me; this guy changed my whole way of hearing tunes. Me desperté, buenas mañanas, y me conseguí una cerveza. A sold-out crowd for Wyclef Jean's rocking 90s party at the Stone Pony. The quiet stillness of a screening of "A Fantastic Woman. the Academy Award-winner for Best Foreign Film. An intimate interview with Danny DeVito at the Paramount Theater. The laid-back vibe of an outdoor stage and food trucks in Bradley Park. Thousands of attendees and luminaries from across the entertainment industry gathered to attend dozens of films and musical performances in the heart of the Jersey Shore over the weekend — all having an experience custom-tailored to their interests. #APMFF: Wyclef Jean takes over the Stone Pony #APMFF: Danny Clinch's big Bruce Springsteen moment told at Storytellers The 2018 Asbury Park Music and Film Festival, presented by founding partners RWJ Barnabas Health and the Asbury Park Press, held Friday through Sunday, raised funds for music programs for children in the Asbury Park area. "This is huge in terms of what we are able to do in keeping the funding going. Jim Lenskold, president of the Asbury Park Music Foundation, said Sunday morning at the awards brunch at the Asbury hotel on Fifth Avenue. "Music bridges that gap. The entire festival, the reason we do the festival is to be able to raise funds and invest in our young people, and give them a chance to have the best life they can have. said Tom Donovan, president of the Asbury Park Press and a festival co-chair. "Its an uplifting, passionate experience. At the brunch — with made-to-order omelets and a buffet that included Virginia ham, bacon and potato croquettes — 10 of the weekend's films were honored Justin Kreutzmann's "Break on Thru: A Celebration of Ray Manzarek and the Doors" took home Best Feature Film. Directed and produced by Kreutzmann, Break on Thru" made its world premiere Saturday at the House of Independents on Cookman Avenue. The film documents the 2016 Los Angeles concert by Doors drummer John Densmore and guitarist Robby Krieger commemorating the 70th birthday of Manzarek, the Doors' keyboard player who died in 2013. "Break on Thru" combines 2016 concert footage with new interviews and archival material — including a look at the Doors' storied 1968 performance at Convention Hall on the Asbury Park Boardwalk and clips from a 2012 Manzarek interview at Grateful Dead guitarist/singer Bob Weirs Tamalpais Research Institute, also known as TRI Studios, where Kreutzmann was the in-house video director. “I wanted (the film) to honor Ray, but also (Doors singer) Jim Morrison and also (honor) their history. Kreutzmann told the Asbury Park Press' Fan Theory" podcast earlier this month. "So youll see some unreleased Doors footage in there you havent seen, youll hear some audio from Jim Morrison that you havent (heard) and youll see some Ray Manzarek from TRI. … Im a Doors fan, so I made it for people like me. ” "Stay Human. a documentary from renowned roots rocker Michael Franti that had its world premiere Friday night at the Paramount Theatre, received the RWJ Barnabas Award, while "Bike Riddim. a short by Sarah Galloway about Asbury Park Boardwalk musician Kenny "Stringbean" Sorensen, won the Asbury Park Press Award. During Saturday's headlining event at the Paramount Theatre, Asbury Park native Danny DeVito received the Paramount Award. Here is the full list of winners from the 2018 Asbury Park Music and Film Festival: Best Animation: Rich Aveo's 'Weightless' Best Feature Film: Break On Thru: A Celebration of Ray Manzarek and The Doors" Legacy Recordings Music Documentary: The Potential of Noise - Conny Plank" Sony Pictures Classics Short Film: The One Arm Bandit" Best Music Video: Williams Honor, Send It To Me" Best Aspiring Female Director: The Oyster Farmers, Corinne Gray Ruff Asbury Park Press Award: Bike Riddim" RWJ Barnabas Award: Stay Human" Asbury Park Music Foundation Award: Brothers Hypnotic" Tito's Handmade Vodka Award: Write When You Get Work" Paramount Award: Danny DeVito Sarah Galloway, the director of "Bike Riddim. about Asbury Park's parking problem, brought her bike basket on stage to receive her award, saying it was all she used to hold her sound equipment. (She wore her cameras in her backpack. While ostensibly (the film is) about Asbury Parks parking problem, the challenge of getting to the Boardwalk, as were all familiar with, it really turned into a beautiful documentary about what makes Asbury Park great. she said, Its about community, the power of music to bring people together. Its very much an honor to be part of this. On city stages over the weekend, there was everything from rock to hip-hop from the fests music headliners. “I am waking up right now, ” said Wyclef Jean 11 p. m. Saturday night at the Stone Pony. The packed crowd at the Pony was certainly already wide awake, instantaneously responsive to his commands to hype it up and wave arms in the air. Jean, formerly of the Fugees, performed with a drummer, DJ and various kids from the Lakehouse Music Academy of Asbury Park. “I got to go crazy for these kids, theyre all we got, ” said Jean, whos spent in the past few weeks time mentoring the young musicians as part of an Asbury Park Music Foundation initiative. One might forget just how many hits Jean has been a part of, including the Shakira collab, “Hips Dont Lie. ” “If youre not sweating right now, youre not at a party, ” said Jean while performing “Hips. ” Apparently mindful that he was at the Pony, which has a rep as rock club, Jean brought the jams, including Nirvanas “Smells Like Teen Spirit, ” and Journeys “Dont Stop Believing, ” which he sang atop of the bar near the clubs entrance. “Im about to stage dive, whos got me? ” Jean said. “ In Asbury Park, anything can happen! ” Michael Franti requested audience participation and he got it at the Paramount Theatre on Friday, April 27. “Grab somebody next to you, even if you dont know them, ” said Franti, who delivered an acoustic set of reggae infused tunes. Franti, who screened his new documentary “Stay Human, ” jammed in the lobby of the Paramount before taking stage. At the Pony on Friday, Bobby Bandiera was talking about the next generation of Asbury music stars. “Theyre the kids who are going to take over the stage here at the Stone Pony when they turn 21, ” said Bandiera of the Lakehouse students. Built to Spill opened the fest at the Thursday, April 27 at the citys House of Independents. The band was all business, transitioning from song to song with little interplay with the audience. The power trio plays rock in a grunge-y style with room for frontman Doug Martsch to improvise on guitar. A cover of the Pretenders classic “Back on the Chain Gang” changed the tempo of the moment. Renee Maskin of the Asbury Park band Lowlight, who has opened for the Pretenders several times and will do so again June 28 at the Count Basie Theater in Red Bank, said that she had nothing to do with the choice of covers. “No, but I wish! ” said Maskin, while watching the show. Sublime with Rome took over Convention Hall on Saturday with a set of reggae punk and uptempo moshers. The guys werent pleased with the lack of a mosh pit from the crowd, who were too mellow for it, for the faster songs. A haze of smoke in the air suggested the crowd had other things on their minds. “We just played in Mexico and they really know how to slam dance down there, ” said bassist Eric Wilson. “You guys have some catching up to do. ”.
The Doors and Trafalgar Releasing recently announced the upcoming release of The Doors: Break On Thru - A Celebration Of Ray Manzarek, coming to cinemas worldwide for a one-night only event on February 12. The film will bring fans together in theaters to celebrate the extraordinary legacy of the late Ray Manzarek, co-founder and keyboardist of The Doors, on what would have been his birthday. Check out this new preview video for the film: This critically acclaimed, all-star hybrid concert/documentary was filmed at the Fonda Theatre in Los Angeles, CA and brought surviving members from The Doors, Robby Krieger and John Densmore, on stage for the first time in 15 years to celebrate the birthday of Manzarek alongside captivating performances from Foo Fighters Taylor Hawkins and Rami Jaffee, Stone Temple Pilots Robert DeLeo, Paul McCartneys Brian Ray, Xs Exene and John Doe, Janes Addictions Stephen Perkins, Govt Mules Warren Haynes and more. “It was such an honor to play with these world-class musicians in a tribute to our magical keyboard player. ” - John Densmore “Alt-Rock Royalty Light Up L. A. Celebration for Ray Manzarek. ” – Rolling Stone “I would not have missed that show for anything. ” – Nirvanas Krist Novoselic With a set list of Doors classics and compelling behind the scenes interviews and footage, this film celebrates the longevity of The Doors, bringing multiple generations together to celebrate this iconic band. Proceeds from the LA concert were donated to Stand Up for Cancer as selected by Ray Manzarek. Participating theaters and tickets can be found at here.
Press alt. to open this menu. Who‘d dislike this video wtf haha. Incredible stuff - just makes you want to live some. great times... Gran tema desde valle de bravo México noviembre de 2019. Ray Manzarek, one of the coolest dudes to ever exist. Such an extraordinary musician and a great person too. You will be missed Ray. Rest in Peace.
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